Dull Roar

One month from now,
a dull ache
is all you’ll be
to me.

Six months on
if I hear your name,
I might pause
to remember your face.

Once a year has passed
if I see you on the street,
more likely in a club,
I may smile or give a nod.

But tonight, right now,
a thousand men with knives
couldn’t cause the pain
you have.

Ryan Stone

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Bonnie & Clyde

On a Monday I met her, but should have known better-
a moon day bodes ill for new friends.
Lunar sea tides with light and dark sides
make Monday trysts wane to weak ends.

Aphelion eyes, dark hair and toned thighs
presaged a blue moon ascending.
With a wink and a gun, she blocked out the sun
in total eclipse, never-ending.

Said, taking my hand: you’ve the look of a man
who’d rather not sleep ’til he’s dead.
I refuse to work harder or pay for my Prada,
let’s dance with the Devil instead.

We ran for a time on a dream and a dime,
both stolen and hard to sustain.
At the trail’s grim end, a posse of men
machine-gunned love’s final refrain.

– Ryan Stone

First published at Poetry Nook, May 2017.

The T-Shirt

She stares at the t-shirt draped over her chair. A replica Eames deserves better than Metallica. Of all the things for him to leave behind!

Clasped like Excalibur, a knife thrusts up from a toilet, Metal up your ass written beneath. Who would think of something like that? Who would print it? Worse still, who would wear it? She knows the answer to the last, having argued with him before countless dinner parties, Sunday barbecues, visits from her mother.

She swats at the shirt as she would a spider, gets slapped in the face by Armani as it falls. Now it lurks on the floor, one more dead thing in a week of dead things, until her kick sends it skidding under their her bed.

Hours later she listens to it whisper as sleep refuses her haven. If she lies just so her mind can ignore it, until a stray breeze blows a trace to her nose. She climbs from bed to hunt naked in the fragmented moonlight. The shirt is a cool breath on feverish skin, and she surrenders to heavy metal dreams.

Ryan Stone

A Capacity for Violence

My shot missed. Dust rose in a miniature mushroom cloud.

Donny drew back his slingshot and held a rock steady. The chicken stood still. Donny released. His rock struck the chook’s head and sent it scrabbling into the red dirt of my yard.

I watched as it rose and tried to escape. The piece of rusted fencing wire Donny had wound round its leg and secured to a star picket stopped it from getting far. I wiped my hand across my forehead. Sweat and dust ran into my eyes. I blinked it away and loaded my slingshot. I missed again.

“You’re fuckin’ useless,” Donny said.

A metal bar lay on the ground nearby, left over from the shed Dad had started to build. Another project that got too hard for him and remained unfinished. The shed leaned to one side and barely stayed upright when the winds howled.

I picked up the bar and advanced on the chook. “Take this, you little faggot,” I said, and swung hard. The chook somersaulted through the air, then sprawled on the ground. Still twisted in wire, its leg pointed like a finger of accusation. I wiped my eyes, then raised the bar for another blow.

“Stop,” my mother said, emerging from behind the half-finished shed. She didn’t yell—she rarely did—but her presence was enough to make me lower the bar, and my eyes.

“Go home, Donny.”

Mother walked to the chicken, still flopping around on the end of the wire. With a quick motion of her hands—a pull and jerk—she ended its suffering. She turned and looked me in the eyes. “Untie it. Bring it into the shed.” Without another word, she walked away.

I entered the shed with the limp, bloody bird, and lay it on the bench my mother indicated.

“Sit down.”

I didn’t look at her.

“I said sit.”

“I can’t.”

She tilted her head to the side. “Turn around.”

I did as she asked.

“Now drop your strides.”

Face burning, I complied. Mother looked at my bare arse, crisscrossed with red welts the same width as Dad’s belt. She placed her hands on my shoulders and turned me around to face her.

“Please don’t tell Dad about the chook.”

“The true measure of a man isn’t his capacity for violence, but his ability to contain it. Do you understand?”

I nodded.

She handed me a hatchet.

“Cut off its head and pluck it. Then bring it in for dinner.”

Ryan Stone

Runner-up in Grindstone Literary Flash Fiction 1000, July 2018

The Walk

I wake a full hour early
for the rare gift
of a walk in the woods
with my father.

He is a silent giant
among misty ghost gums.
I tell him, Watch!
See how fast I can run.

He doesn’t yell when I trip
and fall, but lifts me
with unfamiliar,
calloused hands.

At the end of the trail
I study my grazes—jagged
and bloody. He tells me
he’s leaving my mum.

On the walk home
I gaze at the gum trees
and fragmented clouds, thinking
they should look different somehow.

Ryan Stone

first published at Poetry Nook, 1st place Week 185

At 3 a.m.

How good is this?!
More magic from my good friend Sarah.
Enjoy!

Sarah Russell Poetry

This poem is a departure for me. I found myself channeling Hemingway after reading for the third or fourth time A Moveable Feast — perhaps the best and least known guidebook for Paris. My thanks to Scot at Rusty Truck for publishing it this week.

At 3 a.m.
after one more day
without words, Paris
takes you in like a whore,
not surprised you’re back
for another fuck in the dark.
November. Brittle rain
scrapes the bone.
You walk the sheen of cobbles
to the Seine, where bodies,
freshly guillotined, once floated,
heads left behind in baskets,
past the great cathedral, gargoyled,
buttressed, to the boîte
on St. Louis where absinthe
and jazz make love, and a girl
comes to rub against you
like she knows your name.

– Sarah Russell
first published in Rusty Truck
for Poets United Poetry Pantry
Photo by Nicolas Vigier

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First Husband

This wonderful poem from my talented friend, Sarah Russell, stopped me in my tracks just now. I hope you’ll enjoy it as much as I do. Please direct any likes or comments to Sarah on her site.

Sarah Russell Poetry

“Poetry is . . . emotion recollected in tranquility.”
― William Wordsworth

I found his obit on Google,
hadn’t seen him, barely thought
of him in forty years
since the day he loaded his car
with half of everything – blankets, pillows,
dishes, albums (we fought over
who’d get “The Graduate” poster of Hoffman
and Anne Bancroft’s leg) – and drove off
to I-didn’t-care-where.

Once, 20 years later I learned where he was
from his buddy John and called.
He still taught drama and directed
summer stock in a small midwestern town.
We laughed together, comfortable,
finally, in our separate skins.

Now an obit with pictures and two columns
in the paper. A well-loved, prominent citizen,
it read, wife, three kids, grandkids. He wrote
a children’s book and “left the town
with memories of comedy and drama
that enriched our lives.”

Our marriage wasn’t mentioned. No need,
I suppose –…

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Leaving Violet Town

The boy sits alone
while the carriage fills
around him. It’s a V-line,
a long haul, thundering
into morning.

Barely legible,
a chipped sign fades
and Violet Town falls away.

He retreats to a paperback
kingdom, while oblivious
wheels devour miles.
Sometimes his eyes rise
to watch the landscape
grind from here to there.

Terminus halogen holds the night
at bay as a voiceover calls
passengers awake.

At journey’s end,
crisp air whispers
possibility. Behind him,
doors hiss shut. Ahead,
a turnstile beckons.

Ryan Stone

First published in Writers’ Forum Magazine issue 159, December 2014

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